New Work in Progress painting Trotting horse in Grassy Field

Recently I've discovered a new painting surface board to try, the Ampersand brand Aquabord. This product is a clayboard that's textured for watercolors, and can be displayed without glass in the frame. I actually haven't painted on it yet, so I'm starting with the small size (5"x7") to get a feel for how it's going to be to paint on.

For these small paintings, I wanted to keep the composition pretty simple, after all this is a first try on the Aquabord. Two ideas came to mind, a horse in a field and a horse jumping a creek/ditch in a southwest landscape. Off I go to the reference pic library on WetCanvas (where artists can use volunteered pics with permission for painting references). There are hundreds of pics to go through but it wasn't long until I found the first reference pic, a beautiful composition of a trotting horse in a golden grassy field in front of woods.

When I start a painting I like to do a little homework first. One of the first things I do is work out a tonal sketch in pencils. Keeping things simple, my mantra, I work out the darks, lights and medium tones in the composition with 2B, 4B and 8B pencils. All I do for this is just print out the pic on my printer and trace the outline on sketch paper. Sketch size is 7"x7" approx. I did not want the fenceline in the painting so I left it out.

Once that is done, I'm then ready to do a simple color sketch, which helps me to see what colors to start the first color layer with. This way I can get a "sneak peek" when the painting will go and how to start the tweaking process. The color palette I used was treeline: Indigo, May green, Olive green (derwent brand), pea green (cretacolor), dark pthalo green (faber castell), tree trunks are in sepia (derwent): horse in french grey (prismacolor)(I left the horse in neutral color on purpose): grassy field and shadows: ivory (cretacolor), burnt umber, blue grey,burnt sienna, primrose yellow, gold, deep cadmium, middle chrome and flesh pink (derwent).

By doing the pencil and color sketch, I start to get a feel for the painting outcome and a helpful guideline. Now the next step I will do the architecting of the painting; freehand transposing the sketch to the actual painting size and setting up a composition grid to make sure the painting objects are balanced. This way I can be sure to create a visual "flow" across the painting. So that will be the subject for the next blog posting.

Eagle Trio Sketches and Painting

I know I alluded in an earlier post about an eagle themed painting I was going to do. Well, it's finished and made into a beaded bookmark that's available in my Etsy and Artfire shops. I have to say, I'm pretty pleased with how the finished product looks. This post will be about the painting process though, just my thoughts about how this miniature painting came about.

I have in mind for a series of bookmarks of southwest wildlife animals, such as eagles, cougars and bears to start. Eagles and birds of prey have always been a fascinating subject for me so I chose eagles to start. In researching my reference photos, I decided on a collage of three scenes, a young eagle bust, an eagle in flight, and an adult eagle bust. So I had the reference pics chosen and then set out to make tonal drawings and sketches. Since I don't have a lot of experience painting birds, the tonal sketches will help give a better guideline of where to push the dark values, the mid range values and light values. I sketched the eagles freehand from the reference pics as I need a very small size to fit on the bookmark size paper. Sure, I could have manipulated the reference pic copies to a small enough size and then just traced the outline, however, I wanted to work on my artistic skills and chose the long tedious way. And yes, my eraser got a good work out but I learned so much in the process.

The page of sketches:

Compiling this type of composition took some math skills, which I sorely have struggled with all my life (I'm also slightly dyslectic). It took some time to get the balance just right and then all the resizing of the sketches of the birds. I used the eagle eye as the balance reference, draw the eye first and then balance the rest of the bird around the eye. Seemed to me to be the logical choice of where to start! Now what gave me the most grief was getting the beaks curved and positioned just right!! I never knew . So I wound up breaking the beaks down to a series of stacked blocks to give me a better perspective of attaining the three dimensional look. You can see that in the lower right hand bust sketch. My eraser got the most workout here!

Pics of the finished sketches:

Once the sketches and composition was done now onto the actual painting! Doing the sketches gave me a great base to work from and helped me tweak some changes as I was doing the painting. I used mostly Faber Castell watercolor pencils, they have great color and flow with water, and some creata color and derwents brand pencils too. Unfortunately I did not keep notes or pics of my painting process so I don't have them to show here. So that's a project for the next wildlife painting! Here is the finished product with the sketch reference:

This was a wonderful learning process, it may have taken me a while, but when you insists on learning at your own pace, that's what happens!