WIP Horse in Bright Grassy Field Complete

My experiment with painting using an Aquabord clayboard surface is complete! Actually I finished the painting almost two weeks ago, went on with another project, yada, yada, yada….. So now here it is. Eventually I DO get around to all on the “to do” list! LOL!

Picking up where I left off on the last blog post, I had laid in some basic color of mid and dark tones, leaving the light areas so I could see where the light was landing. This is important because the warmth of light is going to be a focus in this small painting. I tend to work on one section of composition at a time, like the horse, the field, the front tree, the background trees. It helps me keep a reference for lighting among objects.

close-up on the horse: I wasn’t happy with the shape of the horses chest here

So I did some erasing and streamlined the edge of the chest, wasn’t that hard on the clayboard surface.

And this is the finished result, using the scanner:

Or under natural light:

Or under outdoor shaded light:

And close up on the horse:

I’m a fan of the Aquabord now!! The title of  the painting is “Horse on a Golden Path” and is available in my Artfire or Etsy shop.

Next post, new project completed, cool Art Button Editions and Originals wearable watercolor pencil art!!

WIP continue Horse in Bright Grassy Field

In continuing this series of work in progress painting, the next step was setting up a composition grid. I take some tracing paper and outline the reference pic border, then find the exact center (so I know where to keep the painting focus away from.) I prefer to break into quadrants and then break the pic into horizontal thirds. Pretty much the classic rules of composition. Once that is done, I can then see where the subject focus (large tree on left, centerish trotting horse and background trees right) are to be drawn in position.

 

Next is to free hand draw the composition onto my painting board size of 5” x 7”. Why free hand, when I could just manipulate the pic in Photoshop to the size I need, and then just trace it onto the board? Because I want to do this to sharpen my drawing skills and train my eye to follow composition positioning. Sure it takes longer, and I have to erase a bit and start again sometimes, but I find it much more satisfying as an artist. I then create a composition grid on tracing paper for the 5”x7”, figure exact center and the horizontal thirds. Then the sketch begins freehand after marking the grid essentials on sketch paper. And here's the result:

 

Ok, I then trace the composition using transfer paper onto the aquabord and now I’m ready to start painting. The first color layer goes in, I tend to push the darks first and leave the light areas white to see how that looks first.

After a few reviews, I decided I need to erase some lines on my horse and large foreground tree. This aquabord is super easy to erase mistakes on, I love it! After the lines are tightened up, I then add some more color.

And compared to the reference pic:

So I’m pretty happy with most things right now, but I am honing in on what needs to be changed abit.  So the next blog post will be more along what I can tweak, the real “meat” of painting which I love!

New Work in Progress painting Trotting horse in Grassy Field

Recently I've discovered a new painting surface board to try, the Ampersand brand Aquabord. This product is a clayboard that's textured for watercolors, and can be displayed without glass in the frame. I actually haven't painted on it yet, so I'm starting with the small size (5"x7") to get a feel for how it's going to be to paint on.

For these small paintings, I wanted to keep the composition pretty simple, after all this is a first try on the Aquabord. Two ideas came to mind, a horse in a field and a horse jumping a creek/ditch in a southwest landscape. Off I go to the reference pic library on WetCanvas (where artists can use volunteered pics with permission for painting references). There are hundreds of pics to go through but it wasn't long until I found the first reference pic, a beautiful composition of a trotting horse in a golden grassy field in front of woods.

When I start a painting I like to do a little homework first. One of the first things I do is work out a tonal sketch in pencils. Keeping things simple, my mantra, I work out the darks, lights and medium tones in the composition with 2B, 4B and 8B pencils. All I do for this is just print out the pic on my printer and trace the outline on sketch paper. Sketch size is 7"x7" approx. I did not want the fenceline in the painting so I left it out.

Once that is done, I'm then ready to do a simple color sketch, which helps me to see what colors to start the first color layer with. This way I can get a "sneak peek" when the painting will go and how to start the tweaking process. The color palette I used was treeline: Indigo, May green, Olive green (derwent brand), pea green (cretacolor), dark pthalo green (faber castell), tree trunks are in sepia (derwent): horse in french grey (prismacolor)(I left the horse in neutral color on purpose): grassy field and shadows: ivory (cretacolor), burnt umber, blue grey,burnt sienna, primrose yellow, gold, deep cadmium, middle chrome and flesh pink (derwent).

By doing the pencil and color sketch, I start to get a feel for the painting outcome and a helpful guideline. Now the next step I will do the architecting of the painting; freehand transposing the sketch to the actual painting size and setting up a composition grid to make sure the painting objects are balanced. This way I can be sure to create a visual "flow" across the painting. So that will be the subject for the next blog posting.

They're ready for a new home, the mini journals that is!

After what seems like a revisit to writing college term papers, the listing descriptions of each southwest wildlife mini journal are complete! The journals are available for purchase in my Artfire and Etsy online shops. Although in Artfire, I could go more into the inspiration for each journal in the listing. I feel good that this step is finished, and the next step is hopefully shipping them off to a happy buyer soon! Have a great and blessed day!!

Southwest Wildlife Mini Hiking Journals are here!

The southwest wildlife design, handmade, original mini journals are finished!! Oh my God, I can't believe it's taken me this long to complete this project. *Sigh*, real life pulled my creative energy out of me for about six weeks. But I'm not going there, this blog post is about celebrating one of my original design of functional art!

Initially, I got the idea about making a mini journal to use when hiking or riding down the trails. For those of us who enjoy these activities, sometimes you can just get such a rush of feelings while out in country, you just want to write it down! I thought, why not make a small journal that can be put into a zip-lock bag but make it with an original watercolor pencil painting and theme it with corresponding natural beads/stones. Each of these journals has a theme as to selection of animal, background and beading.

For this journal, my theme is the feral mustangs on the north desert Nevada range. One day, I hope to see the Mustangs in this natural habitat, running the range where abandoned gold and silver mines keep them company. The background represents the mountain ranges typical of that area. The stones I selected to compliment the painting are turquoise and sterling silver beads, because of natural turquoise and silver mined in Nevada. The natural turquoise beads are from the Fox mine area in western Nevada. I am a turquoise nut, ahem, I mean collector and I try to choose southwest USA mined beads in my functional art creations (as best as from the source of info I can gather).

I know that I'm going to sound like a broken record here but when I saw the Grand Canyon south rim for my first visit this spring, I was so inspired!! I took tons of pics but I really need to go back and take more, for painting references you understand! LOL! I loved being there and lucked out and hired a semi private guide who was helpful in talking about the wildlife in the canyon. Elk are predominant on the south rim, and while we were there, I saw some elk scat (manure) pile really close part of the canyon trail edge. So this painting is my attempt to try to catch some semblance of the beauty of what is the Grand Canyon and one of the natural wildlife species that walks the trails as its home! I had a tough time choosing beads to match the theme of my painting, as I was looking for natural gemstones/minerals of the Grand Canyon or Arizona that would be small enough and affordable to use. After some research I came across info of the Arizona fire opals but didn't find the sizes needed available. What I did find, and decided to use was the Mexican fire opal beads as a close second choice . The colors and "fire" match those of the Grand Canyon walls. The other beads are antiqued copper beads, as there is some copper found in the GC, and I thought antiqued copper would represent the ancient history of the wonderful canyon. To the Grand Canyon I say, "I'll be back!"



How can I call myself a southwest wildlife artist if I don't include at least one painting of a buffalo! This painting idea came from my goal of one day visiting Yellowstone National Park and seeing the natural buffalo that freely roam among the geysers. While gathering my reference materials for the painting, I was blown away by how painters of buffalo seem to portray the great beast with such reverence and presence. I like to think my painted buffalo here is small but mighty!! Now what turned out to be a real gem for me was in my research for a natural gemstone of Yellowstone river area I found Montana Agates. And was lucky enough to find a source of the Montana Agate in the bead size I could use from a natural stone cabber in Montana. The natural Montana agate beads are flanked by copper beads to reference the copper mining around that area. I really like the beads a lot!

So there they are, completed and they turned out just as nice as I had hoped! It was quite a journey getting these small journals finished, a lot of reflection in the time they took. They will be up for sale in my Artfire and Etsy stores soon. Thanks for visiting and happy travels!

Hiking or Riding Mini Journal Update

Huff, huff, that's me blowing the dust off of the blog posting! LOL! I know I've neglected posting updates, but that doesn't mean I haven't been creating. Let's get to it!

The mini journals are approx. 4"x4" size. These are my first run, first time making this type of journal. As part of the functional art guidelines I have, this journal should be user friendly and yet be a work of art. So I took a regular size paper and divided it into thirds, like folding it to put into a business size envelope. The paper used is a handmade faux dark brown leather, it's one of my favorites! Then I played with a few ideas of paper combinations until something suited me. Now, what kind of lacing? I had some black leather cord I knew to use, and decided on trying a zig zag formation, like three mountain peaks. Played with that a bit, I was smart this time and made a template of how to measure the holes to punch and to figure out the lacing. I secured the lacing by using a crimp tube for necklace making on the back of each journal. Who knew I would actually use some geometry in my art projects, I really did use my protractor for the template! (Draftsman I'm not, but I can get by). Gold parchment paper was used for the pages, and I hand cut all sheets. As the booklet was forming, I felt like it needed a real leather border, so I got some of the Tandy leather scraps bag with black leather. Experimented a bit with measuring leather strips and got a leather border glued on each of the three journals. This is one area I will do a little different on the next set of journals. I like the look, but my gluing skills are a little rough. As a result, the inside covers with the leather borders looked rough, so I added a silk paper liner inside to cover up the leather gluing process. Figured that was a smart move on my part, LOL!!

Now for some pictures showing the process of creating the paper journals and binding:


Next post, the choosing of the beads and theme of each journal!

New Project, Hiking/Trail Riding Journals

With the Unicorn painting finished, and listed on both Etsy and Artfire (and Twittered!), time for my latest functional art project. Small, hand held size hiking or trail riding journals. These journals will be embellished with natural stones or silver on the leather lacing and then a miniature painting on the cover. I think these will be very unique.

My theme is wildlife and landscapes of the southwest. I plan on using stones that are natural to the landscape depicted for the journal decoration. For example, one journal cover will feature the feral mustangs of Nevada, and I will be using natural (as possible) Nevada mined turquoise and silver beads. Reason being, Nevada is well known for it's illustrious turquoise mines and of course the abundant silver mines. I will also make two additional journals, plans are for an Elk looking over the Grand Canyon (copper and silver beads) and a Buffalo (bison) in Yellowstone (still deciding on stones; need to do some more research).

So I have the theme selected, still need to get more reference material together for the miniature paintings. I have cut all the paper out and am ready to start binding the journals. I'm thinking I will bind and bead each journal first, and then get started on each matching painting. My time is now directed on this new project; I'm excited to see how these will turn out in time! I'll keep on with updates every week!